2016 has been an astonishingly two-faced year, punctuated with professional successes which were immediately followed by enormous personal tragedies, one after another, for months. I will eventually write about them all, here or elsewhere, but most of them are too close at the moment. So I’ll start with the one that I’ve been able to […]
I made a decision based on incomplete information, and it turned out to be the wrong decision. In carrying out the decision, I caused another human being significant distress, and in the end, my intentions and justifications for my actions don’t matter.
“Whether you’re a writer, a sculptor, a designer, or a banjo-player, showing up, staying open-minded, asking for help, and not being obsessed with the tools at your disposal will ultimately make you a better creator.”
— Jory MacKay, “Demystifying the Muse”
I’ve been thinking a lot about those four “elements” of becoming a better creator in the context of musicianship. Whether it’s practicing, working with a chamber group, teaching/taking a lesson, or performing, the qualities MacKay lays out are essential to the musical process.
I tend to be a non-believer in the idea of setting resolutions at the beginning of every year, because really, if you care about something enough, you shouldn’t be waiting until the beginning of the year to actually take action on it. Yet there have been a couple of things that have changed recently in how I think about both the annual pageantry of setting resolutions, and about goals in general.
I Love Dick is a maddening memoir-epistolary novel-performance art hybrid that defies definition and doesn’t shy away from anything. Its publication in 1997 resulted in blazing controversies in the intellectual community, for good reason.
On the floor in the back corner of the closet/pantry where my mini-fridge lives, there is a hole. It is about 4″x9″, and it is terrifying.